Rebel without Causes: The 1960s Thai Pop Music and Bangkok Youth Culture
DOI:
https://doi.org/10.37535/101003220161Keywords:
Thai Pop Music, Bangkok Youth Culture, deological dominationAbstract
In this paper, I would like to acknowledge that 1960s to the 1970s American popular culture, particularly in rock‘n’ roll music, have been contested by Thai context. In term of this, the paper intends to consider American rock ‘n’ roll has come to function as a mode of humanization and emancipation of Bangkok youngster rather than ideological domination. In order to understand this process, this paper aims to focus on the origins and evolution of rock ‘n’ roll and youth culture in Bangkok in the 1960s to 1970s. The birth of pleng shadow will be discussed in this context as well.
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American Era. Bangkok: Duang Kamol Publishing.
Bent Huat, Chua & Younghan Cho.(2012). “Editorial Introduction:American Pop Cultureâ€.
Inter-Asia Cultural Studies Journal.Vol.13 No.4, 2012.
Chaloemtiarana, T. (1983). KanmuangRabobPokumOppatham Bab Taharn.( Thailand : The Politics of Despotic Paternalism). Bangkok :Thammasat University Press.
Emmsa-ard, L. (2006). Thai Popular Music: The Represent of National Identities and Ideologies within a Culture in Transition, PhD Dissertation, Edith Cowan University.
Frith, S. (1996). Performing Rites: On the Value of Popular Music. London: Oxford University Press.
Grossberg, L (1992).We Gotta Get Out of This Place. Popular Conservatism and Postmodern Culture. New York: Routledge.
Ket-Uteuk, P., Sarn Bundasak and Kriet Inthrakuk.(1964). Bangkok Nightlife. Krungthon Publication.
Krungkasem, P.(2003). Pu’s Way. Bangkok: H.A. Publication.
Kongpasuk, K.(2013). Personal interviewed. 13/10/2013.
Puchadapirom, P.(2007). Watthanatham Buteung Ni Pratet Thai Rawang1948-1957.
Bangkok:Matichon.
Sivalak, S. (1991).‘The Crisis of Siamese Identity’In Reynolds, C. (Ed.), National Identity and Its Defender. Chiang Mai: Silkworm.
Phongpaichai, Pasuk and Chris Baker (1997).Thailand : Economy and Politics. London:Oxford University Press.
Reynolds, C. (1999). National Identity and Its Defender. Craig (Chiang Mai: Silkworm).
Siriyuvasak, Ubonrat. (1999). Sethasatkanmuang klong rabob witthayu Thai kab ponkataob tor sithi manusayachon. (The Political Economy of Thai Broadcasting System and Its effect to Human Life). Bangkok: Chulalongkon University press.
Wuttipong, N.(2011). The Thai Popular Music Industry: Industrial Form and Musical Design, PhD Dissertation, The University of Nottingham.
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Published
2018-03-21
How to Cite
Sawangchot, V. (2018). Rebel without Causes: The 1960s Thai Pop Music and Bangkok Youth Culture. Communicare : Journal of Communication Studies, 3(2), 1–8. https://doi.org/10.37535/101003220161
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